Little Glass Girl – Lily Hollows

Zone Radio is a South African internet radio station that is a proud promoter and supporter of local artists and music.

In 1987 The Bangles had a massive hit with a song called ‘Walk Like an Egyptian’…(oh whey oh). It reached number one with over a million copies sold. All good and well – but what does it mean to walk like an Egyptian? Consider Egyptian pyramid graffiti – when music producer Liam Sternberg observed people on a ferry walking awkwardly to keep their balance, it reminded him of the figures in these ancient Egyptian paintings…and just like that, a song was born (oh whey oh). These days if someone not on a ferry is walking like an Egyptian, the chances they are a little…ahem…tipsy and could be from anywhere in the world, although if you asked them, they probably wouldn’t know where! 

Funny walks aside, ancient Egypt gifted the world many amazing things. They invented eye makeup, black ink, wigs, the door lock, papyrus sheets, the sickle, the shadoof (Google it…I had to), toothpaste and breath mints, the ox-drawn plough and enough mummified corpses to keep archaeologists busy until Ra burns out. That these are Egyptian inventions is largely undisputed but there is one exception…Glass. Here there is some debate. The ancient Roman historian Pliny suggested that Phoenician merchants from the region of Syria were the first makers of glass around 5000BC. But according to archaeological evidence, the first man-made glass was from Eastern Mesopotamia and Egypt around 3500BC and the first glass vessels from about 1500BC in Egypt and Mesopotamia. Disagreements aside, the Egyptians get my vote. Why? Because ‘Walk Like an Eastern Mesopotamian’ just doesn’t sound right!

For the Ancient Egyptians, glass was an artificial semi-precious stone, a costly novelty reserved for nobles. Glass jewellery was much sought after and treasured as were vases, ornaments and figurines. I knew a man (not an Egyptian) who purchased random household appliances and kept them in the boot of his car. When asked why he had half of Take-A-Lot in his boot, his answer was ‘Prizes’. Probed further he revealed that whenever he got home late from golf, he’d take one of the appliances out of the boot, give it to his wife and explain that he was late because he had stay for the prize giving. I am damn sure that toasters and kettles were not an option for your average ancient Egyptian nobleman, but glass was. I can see it now …. old Montuherkhopshef, piddled as parrot, walking like an Egyptian on his way home after a night out at the ‘Sphinx & Sand’, clutching a glass figurine to palm off on his wife as a prize he’d won in a chariot race.

It’s true. Ancient glass was precious, beautiful, sought after and treasured. A few weeks ago, I discovered a modern-day treasure – a ‘Little Glass Girl’ the debut EP by Johannesburg neo-soul musician Lily Hollows – and I love it. Recorded at the Hit Lab and produced by Neil Engel, this five track EP is an assertive offering by a budding new artist. It follows hot on the heels of two single releases, ‘Daddy I’m Gone’ and ‘Don’t Look Back’, both of which have enjoyed airplay on radio stations across South Africa.

The EP speaks to the human tendency to try to please others at the expense of one’s own happiness. It’s about a girl who tried to turn herself into something universally attractive in order to catch someone’s eye, only to discover that glass is fragile and that the very things that originally made her different were her greatest strengths.

‘Little Glass Girl’ is more than a just a collection of songs. It’s summation of 19 years of Lily’s personal exploration into notions of self-value, independence, infatuation and frailty. Using stark contrasts, challenging lyrics and serene melodies, she delves into what it means to be human.

In her own words…‘I compiled this album as an exploration of our humanity. I wanted to tackle issues we often face as a collective without realising that we face them. We often overlook the frailty of our emotional state and how often our feelings are influenced by others. It is a culmination of years of reflection and song writing and I’m excited to finally share it with the world.’

In the opinion of this Unicorn, it’s a fine debut and it qualifies for another Egyptian invention, the ‘smiley face’ a ‘thumbs up’…Hello! Hieroglyphics! The original emoji! I would urge you to give it listen. I’m sure that you will enjoy what you hear, but on the off chance that you don’t, you can always use the album as a peace offering next time you get home late walking like an Egyptian (oh whey oh).

By Richard Griggs AKA The Unicorn of Zone Radio

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